Both princesses are unhappy with the society they were born into and intentionally act out in the hopes of offending the people around them enough to embrace the revolutionary changes they want to see in the world. When you compare the Cinderella character presented in the lyrics of "Bad Cinderella" to someone like Sam from the recent Disney+ original, Secret Society for Second-Born Royals, you will find several similarities. I've written in the past about how the consistent rejection of femininity among princess content can be polarizing, but this is the first time I think that someone actually got it right. Support fearless and fair journalism today.The catchy punk rock number "Bad Cinderella" presents a modern twist on the Cinderella we know and love, making her a rebel who doesn't want to dress up and become a trophy wife. Your contributions help us to expand our organisation, making our news accessible to more everyone and deepening our impact on the media.
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#Andrew lloyd webber cinderella story free#
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We have a strong dedication to publishing authentic news that abides by the principles and ethics of journalism. TheSocialTalks was founded in 2020 as an alternative to mainstream media which is fraught with misinformation, disinformation and propaganda. is a Global Media House Initiative by Socialnetic Infotainment Private Limited. If we’re advancing toward a more equitable society, we must critically examine the musical score ‘‘Bad Cinderella’’ brings attention to cultural attitudes. Linedy Genao’s Bad Cinderella might be fun, and catchy flexing messages about patriarchal stereotypes cannot escape the listeners’ ears. The song perpetuates the false idea that women must choose between being passive and virtuous or rebellious and sexually promiscuous, ignoring the complexities and nuances of female identity. In Genao’s "Bad Cinderella'', Genao showcases her vocal range but cannot escape score utilizing the comedic fourth wall singing about domestic abuse and sexual promiscuity with playfully trivializing real-life experiences and promoting toxic behaviors.įurthermore, the Bad Cinderella score flexes a narrow and limited view of femininity memorialized by patriarchal society for centuries. Also, the lyrics trivialize experiences shining a light on domestic violence and portraying it as desirable and exciting. After a few times listening to the lyrics begins to feel nuanced and will slowly get stuck in your head.īad Cinderella score is not as straightforward as it may seem with perpetuating stereotypes about women, such as the idea that being "bad" equates to living promiscuously and sexually liberated. Genao’s version is flashy and executed well. The new musical score of Bad Cinderella feels too cheerful and fast-paced and does not fit the tone of the story trying to tell from Linedy Genao’s Bad Cinderella song. Nevertheless, the quips are not cheap and are aware of the shallowness. In addition, Fletcher’s Bad Cinderella song does the same thing, but there are substance and emotions. The lyrics in the new rendition focus on making cheap jokes rather than telling a story or expressing emotions leading to feeling shallow and lacking artistic value. However, the newest rendition feels unrefined, redundant, and lacks the substance different from Carrie Hope Fletcher’s Bad Cinderella has more storytelling than the recent one. The composed lyrics take the comedic route with puns and double entendres meant to be funny and witty. The newest musical describes as the ‘‘modern twist’’ about a young woman struggling to make her mark in the world and is tired of being mistreated by her stepfamily and transformed into the rebellious, ‘‘bad’’ girl Cinderella.
#Andrew lloyd webber cinderella story series#
Andrew Lloyd Webber captivated audiences and the Broadway community with his work Jesus Christ Superstar to The Phantom of the Opera to bring another Cinderella story in his lesser-known song ''Bad Cinderella'' from the Carrie Hope Fletcher musical production.Ĭinderella is a story as old as time and reintroduced countless integrations: first the Rodgers & Hammerstein then Disney then Pretty Woman then Ever After then A Cinderella Story film series then Camilla Camelo.
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